Animation

September 13, 2007

How Walt Disney Cartoons Are Made

1938 documentary on the making of Snow White. A great look into the studios, supplies and methods that were state of the art when the art was still new. The best bit for me is recording the sound effects.

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May 18, 2007

Saturday Morning Cartoons

Superfriends Need a quick way to get back some of your youthful enthusiasm and child's perspective?

For a lot of us, parking in front of the TV on a Saturday morning was about four hours of sugar-fueled cartoon entertainment. The Saturday Morning Blog attempts to recreate that experience by gathering together a network's Saturday morning lineup from a specific year. Check out the ABC lineup in 1969. It starts with a comic book advertisement for "Super Saturday on ABC" to provide a blueprint and then uses Youtube to rebuild as much of it as possible. From Casper to Hot Wheels to The Adventures of Gulliver.

Here is CBS in 1966 and CBS in 1977.

He even collects commercials!

My favorite blast from the past? This Muhammad Ali cartoon, the animation is terrible, but Muhammad Ali provides his own voice, so all is forgiven.

The Saturday Morning Blog

April 01, 2007

Creative Process: Walt Disney

In his book Strategies of Genius, Robert Dilts quotes a Disney animator as saying there were three Walt Disneys, "The dreamer, the realist and the spoiler. You never knew which was coming to a meeting."

He goes on to say that creativity is a combination of these three elements.

The Dreamer is necessary for creativity in order to form new ideas and goals. The Realist is necessary for creativity as a means to transform ideas into concrete expressions. The Critic is necessary for creativity as a filter and as a stimulus for refinement.

There are a lot of self-help books and experts that tell you the dreamer is the only one you need. That the realist and critic are evil and need to be stopped. Think of how often imagination is extolled as fragile flower to be cherished and never judged. Think of how often people tell you to silence your inner-critic.

Really, isn't it only bad when you try and do all these things at once or get stuck in one without the other two? Personally, I think the critic and realist are one and the same, that the critic just says no to things it doesn't want to work on, but it's a quibble. I think that the model is helpful. In the Disney system Dilts describes, you come up with an idea, decide if it's viable and how it can be done, then you make it better.

Is there one part of this process that you can't do well? Is something holding you back? Try breaking it down into these three steps and seeing what happens.

Dream it, realize it, improve it and then let go of it. It may take years, but it sure sounds simple when you say it like that.

March 04, 2007

New Moleskin Story Board Notebook

Moleskine_1937_12173440I am addicted to notebooks. To me, it's hard to think of anything that represents the possibilities of a new project than a pristine, empty notebook. The best notebooks in the world are Moleskins.

They've come out with a great new notebook for story boarding. Perfect for cartoonists, directors or anyone involved in visual storytelling, they have four pre-drawn panels per page to fill with whatever you want. I had to hold myself back from buying one, they're so very pretty.

You can take a look at them here.

February 23, 2007

John K's Animation Blog

B000f9t70001_aa240_sclzzzzzzz_ If you are interested in animation or cartooning, I think John K's All Kinds of Stuff Blog is a must read. John K is the creator of Ren and Stimpy and a kind of animation folk hero for not bending to corporate demands to pump out the bland pap that passes for animation these days.  Not only do you get an inside look at the projects he's working on, but you also get an intelligent discussion of animation in general. Some of the posts read like a manifesto on what makes a good cartoon. The latest discussion raging on his blog is whether or not cartoonists are the only people who should write cartoons. It all began with this quote:

I firmly believed that cartoonists should write cartoons and had convinced Nickelodeon of it. Not every cartoonist can write of course, but only cartoonists should write cartoons - just as only dancers can "write" (choreograph) dances, musicians can write music and sculptors can "write" sculptures.

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